Took
搜索"Took" ，找到 以下影视作品
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Marie,anindependentandmilitantsexworkerwhohasneverneededtorelyonanyone,noteventoraiseherson.Whenthelatteristhrownoffhispost-graduatecookerycourse,Marieisunabletomakeherpeacewithit.Dreamingofagreaterfutureforhim,shedecidestosignhimupforoneofthebestcookeryschoolsinFrance,butherincomewon’tcoverthetuitionfees.She...
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罗布祖姆比
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在第一集恐怖杀戮的六个月后，千尸屋费尔弗莱家族的邪恶行径终于大白天下。在维德尔警长（WilliamForsythe饰）的带领下，警方对千尸屋展开围剿。混战中，鲁夫斯中弹身亡，母亲（LeslieEasterbrook饰）被捕。魔头奥提斯（BillMoseley饰）、贝比（SheriMoonZombie饰）以及他们的父亲斯鲍丁（SidHaig饰）则分路逃脱。在逃的奥提斯等人如同从地狱释放出的恶魔，他们沿路杀戮，血流成河，而维德尔警长则在身后紧追不舍，一场正邪较量裹挟着血雨腥风拉开大幕……本片荣获2005年Fangoria（美国恐怖电影杂志）链锯奖最佳杀手电影奖和地狱亲属奖（BillMoseley&SheriMoonZombie）、2006年Fangoria链锯奖最佳男主角奖（SidHaig）。
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Afterarandomschoolshootoutleavesascientistsdaughterandtheshooterdead,heusesnano-robotstolookintoapsychopathsmemoriestofindreasonsforviolenceandawaytotreatit.
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onique Watson, a 12 - years old African American girl goes missing from her Brooklyn home. Her father Micheal Watson does everything on his power to find his little girl, he holds himself up through faith and will. The police are having a hard time finding her, when Christian Baker a young New York City journalist from The Chronicle gets assigned to her story. Christian tries to get the assignment done, he quickly and poorly researches the story and goes with the first lead. This brings down an unexpected series of events. Christian with guilt decides to join Micheal on his search and takes upon himself to race time and help find Monique.
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SueBarkerpresentsadocumentarylookingatthelifeandcareeroftennisstarMartinaNavratilova.Theyfirstmetonthetennistourin1974,soSuewastherethroughoutthelandmarksofMartina'slife:defection,comingoutandbreakingrecords.Inthisprogramme,MartinatakesSuebacktoRevnice,herhomeintheCzechRepublic,andallowsthecamerastofilmherweddingin...
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onique Watson, a 12 - years old African American girl goes missing from her Brooklyn home. Her father Micheal Watson does everything on his power to find his little girl, he holds himself up through faith and will. The police are having a hard time finding her, when Christian Baker a young New York City journalist from The Chronicle gets assigned to her story. Christian tries to get the assignment done, he quickly and poorly researches the story and goes with the first lead. This brings down an unexpected series of events. Christian with guilt decides to join Micheal on his search and takes upon himself to race time and help find Monique.
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Oneweekonacruiseship,withparties,funandnewfriendships.Theall-gayclienteleonboardarepreoccupiedwithtopicssuchasidentity,thebodybeautifulandthesearchforsex.Everyeveningisdedicatedtoanewtheme,challengingthepassengerstoevermoreextravagant,body-huggingoutfits.Inthecabinshowever,thetalkismorethanskindeepasthemenopenupabouttheirprivatelives.Marek,ayoungPolishmanjustwantstobeacceptedandlovedasahumanbeingandnotjustbecauseofhistautbody.DipankarfromIndiahasjustrecentlycomeout;heandPalestinianRamziarerevellinginthekindoffreedomtheycanonlydreamaboutintheirhomophobicsocietiesbackhome.MartinisHIVpositiveandpondershedonisticways,whilePhilippefromFranceobservestheproceedingsonboardserenelyfromhiswheelchair.InhisfeaturefilmdebutdirectorFerlandMilewskisucceedsinprovidingalookbehindthescenesofanostensiblysuperficialworld.Hishumorousapproachhelpshimcreateagenuinebondwiththeprotagonistswhotalkopenlyaboutgaydesires,freeloveandgoodold-fashionedmonogamy.
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
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一旦女人从多愁善感……变得狡猾善变，不管男人有多坏，都仔细你的心吧。一个对年轻律师和女主编来说本应该清新的早晨，却成了世界末日，到死都忘不掉。当他和她一丝不挂地在同一张床上醒来，他们二人模糊不清的记忆，还无法得出一个结论：究竟……谁强暴了谁！一番激烈的争吵过后，不愉快地分开了。不知是上天开了个玩笑，还是小鬼作祟，她和他再一次不期而遇。以律师和主编的身份……能言善辩的Chinkrit律师要来协助火辣主编Mookmanee解决世纪难题。为了任务暂时脱下拳击手套握手言和，眼看这次任务就要圆满完成了。如果不是那该死的律师一时嘴贱说她是一个没有魅力的毒舌女人！既然他如此瞧不起她，Mookmanee又岂会服输？夺心游戏即将拉开序幕，谁会先掉入对方的爱情陷进？谁都不肯向谁让步，因为这是一场以心为赌注的战斗！
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Williamwhohasasimplejob,hemakesdeadbodiesdisappear.Thisisntsomethinghelikestoorevenwantstodo,butthroughcircumstancesoutofhiscontrol,hislittlefarmhouseinthecountryhasbecomeadumpinggroundforthecasualtiesofthegangrelatedmurdersinthenearbycity.HisdaughterGloriahasbecomeusedtoroughlookingmendroppingoffcorpsesandisevenconvincedthatsomeofthemarehauntingtheirhouse.Afterawomansbody,isdumpedatthehouse,Williambeginshismeticulousprocesswhenherealizes,shesnotactuallydead.Asthegangactivityincreases,Williampatchesthewomanupandholdsheragainstherwilluntilhecanfigureoutwhattodowithher.Astheybegintodevelopaveryunusualrespectforeachother,thewomansmurderersgetwordthatshesstillaliveandmakeplantogofinishwhattheystarted.
