Took
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《走近皮克斯》共有四个章节，共20集。这一系列纪录短片将带领大家深入了解皮克斯动画台前幕后的精彩故事。第一章灵感于2020年11月13日在Disney+上线，每集约12分钟。ProducedbyPixarAnimationStudios,InsidePixarisdirectedbyEricaMilsomandTonyKaplan,theseriesoffersinsightsintothepersonalandcinematicstoriesthatprovideaninsidelookintothepeople,artistry,andcultureofPixarAnimationStudios.
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这是拉姆和卢克楚普的故事。拉姆是建筑学三年级的学生。他长得很帅，很有钱，是大学里很受欢迎的人。但他是个挑食的人，你能轻易买到的食物并不能满足他的味蕾。卢克舒普是一个可爱的大三学生，有着胖乎乎的脸颊，研究食物和营养。他暗恋拉姆，却没有勇气表白。幸运的是，有一天命运将他们聚集在一起，以食物和泰国甜点为纽带。ThisisthestoryofRamandLukchup.Ramisathird-yeararchitecturestudent.He'sgood-looking,filthyrichandthepopularguyoftheuniversity.Buthe'sapickyeater,thefoodthatyoucaneasilybuydoesn'tsatisfyhis...
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Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb
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YeonmoIslandisasmallandsereneisland.Eun-jienterstheislandforsomepeace,withaguitarandsomescubagear.Themeninthefishingvillagestartstirring,asabeautifulwomanappears.EspeciallyYong-tae,thepresidentoftheisland,andhissubordinates,Yoon-gilandByeong-sam,lookcreepilyather.Oneday,Eun-jifindsoutthatthemeninthevillagehaveblockedtheboatthatissupposedtogetherofftheisland.Theresidents,thepoliceandeveryoneelsegathersaroundher…
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The hit Irish comedy from producers Vico Films will be back on BBC Three for a third series in the new year. Created by Peter Foott, The Young Offenders tells the coming of age adventures of Conor (Alex Murphy) & Jock (Chris Walley) and their mother/guardian Mairead (Hilary Rose) as she tries to keep them on the straight and narrow. The best friends navigate their awkward teenage years, hatching plans and adventures to help distract from their tough home lives and their inability to stay out of trouble. The whole second series launched as a BBC iPlayer box-set earlier this month and has picked up an amazing 4.1 - million requests so far. Combined with the 13.5 - million for series one and last year’s Christmas special, that over 17.6 - million requests to date. Kate Daughton, Head of BBC Comedy, says: "Young Offenders is spit-your-tea out funny and heartbreakingly emotional. A rare combination that’s testament to the talents and passion of a very special cast, crew and writing team, led by creator and show-runner Peter Foott. We can’t wait to share series three - Cork’s finest have never looked finer." Fiona Campbell, Controller BBC Three, says: "At BBC Three, we love championing local voices and The Young Offenders are a brilliant success story for us. With great characters and on-point writing that is hugely relatable to our audience, we’re delighted they’re coming back for another series." Peter Foott, creator of The Young Offenders, says: "We are so grateful to BBC Three and thrilled that they had such faith in the stories and characters of The Young Offenders that they commissioned a third series from us. We had a lot of fun filming series two and three back to back over the summer in Cork, and we can't wait for everyone to see more of Conor, Jock, Mairead and all the characters next year in our third series. "We've been amazed at the huge reaction to series two so far, and we're so happy that we can officially announce that there's more on the way for fans of the show." The Young Offenders has been commissioned for BBC Three by Fiona Campbell, Controller of BBC Three and Shane Allen, Controller, BBC Comedy Commissioning. The Commissioner for the BBC is Alex Moody. The Executive Producer for Vico Films is Peter Foott, the Producer is Tim Whitby. The Young Offenders series two continues on Monday nights on BBC One and is available on BBC Three & BBC iPlayer.
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美国“镀金时代”是经济和社会发生巨大变革的时期，各类帝国在这一时期建立起来，但任何成功都离不开牺牲。歌剧院之战后，守旧势力被削弱，Russell一家准备好了在社会前列占据一席之地。Bertha将目光投向了一个奖项，这个奖项能把他们一家提升到难以想象的高度，而George冒着倾家荡产的风险，进行了一场能彻底改变铁路行业的赌局，如果这场赌局不会先毁了他的话。街对面，Brook一家陷入混乱，因为Agnes拒绝接受Ada作为女主人的新位置。Peggy遇到了一位来自纽波特的英俊医生，他的家人对她的事业并不是很欣赏。当整个纽约都在匆忙迈向未来时，各位的野心可能会以牺牲自己真正珍视的东西为代价。
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威廉·A·塞特尔
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埃德瓦多（阿道夫·门吉欧 Adolphe Menjou 饰）有三个可爱的女儿，她们分别是玛利亚（丽塔·海华斯 Rita Hayworth 饰）、西西（莱斯利·布鲁克斯 Leslie Brooks 饰）和丽塔（阿黛尔·玛拉 Adele Mara 饰）。其中玛利亚的样貌尤其的美丽，因此周围有许多的狂蜂浪蝶拜倒在她的石榴裙下，导致玛利亚看男人的眼光十分的挑剔，总是幻想着能够邂逅完美的爱情。 眼看着玛利亚的年纪越来越大，心气越来越高，埃德瓦多有些坐不住了，他捏造了一位玛利亚的追求者，向玛利亚发起了热烈的攻势。巧合的是，与此同时还有一位舞蹈家也在热烈追求着玛利亚，玛利亚误将他认成了父亲捏造的追求者，两人在阴差阳错之下开始交往。
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诺埃尔·克拉克
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艾什雷·沃特斯
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大卫·艾略特
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杰森·马扎
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希滕·珀泰尔
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克里斯·考林
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Leeshon Alexander
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Kirsty Bartolo
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Oliver Bond
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Olivia Chenery
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Florisa Kamara
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Anthony Reddy
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Lucie Shorthouse
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Vanessa Vanderpuye
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Bulletproof follows two meijubar.net cops, Bishop and Pike, as they chase down hardened criminals in London's East End. On the surface Bishop and Pike have a lot in common they are cool, smart, unapologetically street-wise and tough; they share a deep, fraternal relationship - and are always there for each other. However, they come from very different backgrounds and their personal motivations and emotional lives outside the police force differ as a result: Pike is an aspirational family man, the son of a decorated police officer who's determined to follow in his father's footsteps, but not be in his shadow. Bishop grew up in care homes and on the streets, and never knew his father. Despite these differences Bishop and Pike are bonded by the same moral code and work brilliantly well together even when the chemistry between them looks set to explode.
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In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now. But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film). In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here; the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack. imdb comment
