Adde
搜索"Adde" ，找到 以下影视作品
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TheTransformerswarheatsupwhentheAutobotsandDecepticonscreatecombiningrobotstobattleeachother.
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A20-somethingwomangetsinvitedtoherex-girlfriendsweddingtoamananddecidestogo.
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安吉琳·博尔
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西蒙妮·柯比
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Wouter Hendrickx
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彼得·库南
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查理·卡里克
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凯茜·贝尔顿
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Aaron Monaghan
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Sophie Jo Wasson
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Kwaku Fortune
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希勒斯·德·施莱弗
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Jane Brennan
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迈克尔·艾恩塞德
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Burak Balci
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Matthieu Sys
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Maya Albert
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克拉拉·克莱曼斯
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Steve Geerts
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德斯蒙德·伊斯特伍德
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艾米·德·毕罕
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Ella Leyers
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Freek Braeckman
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罗比·克莱伦
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Nigel Mercier
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BBC Four has acquired Hidden Assets from DCD Rights, a new international crime drama shot in Ireland and Belgium starring Angeline Ball.
A routine raid led by Emer Berry, (Ball) a detective in the Irish Criminal Assets Bureau, reveals that a small-time drug dealer has been receiving substantial funding from a seemingly untraceable source – not in cash, but in rough diamonds.
Wh...
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HyunjaeconfesseshislovetoSuminwhoishisfirstlove,butshehesitatesandhisbestfrienddeclarestheendofthefriendship.Theydon′tpityforHyunjaewho′swithinsightofdeathandjustthinkofthemselves.UnknownthingshappenaroundHyunjae.Oneday,Byungjaewithastrangeaccentappears,andtheconfuseddaysnaturallyflowback.
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AvaCooperiscaughtinaweboflove,betrayal,andhiddensecretsasadangerousaffairforceshertoquestioneveryonearoundher.
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全炫茂
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JTBC7月8日表现："音乐综艺名家JTBC的招牌节目「Hidden Singer」将从7月31日开端每周五晚上9点（KST）都市与不雅众会晤"。 「Hidden Singer」是8年来长命的音乐综艺节目标开山祖师,也是推理不雅点音乐综艺的代表作,第六季也惹起了音乐粉丝们的等待。
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ChrisSun
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Intheharsh,yetbeautifulAustralianoutbacklivesabeast,ananimalofstaggeringsize,witharuthless,drivingneedforbloodanddestruction.Itcaresfornone,defendsitsterritorywithbrutalforce,andkillswitharaw,animalisticsavageryunlikeanyhaveseenbefore.
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"Aleksei Gherman junior’s film The Last Train premiered in Moscow in mid December during the film festival Stalker, which also awarded it the prize for the best film. However, its first screening had already taken place in the ‘controcorrente’ competition of the Venice Film Festival in September. The film, dealing with theme of war and shot in black and white, remained unnoticed by the press in the context of the Venice Film Festival (preoccupied almost exclusively with Zviagintsev’s The Return), although it was awarded a prize. In Moscow, it made rather a different impression, especially when set in the context of films dealing with human rights issues.Gherman’s film is, in a sense, a response to his father’s war film 20 - Days without War. Maybe this explains the oddity of a young, clearly talented director venturing on his debut film into the trodden territories of the war film, a theme that dominated Russian cinema in general, but had also been dealt with by his father. For Gherman Junior, however, war knows neither winners nor losers: instead of exploring the history of WWII, Gherman looks at the fate of two men who have failed to make the right choice (or a choice) at the right time. Therefore, they are now the victims of circumstances, of politics, of regimes – which they have or have not elected. Gherman’s concern is with people in particular circumstances, which are not their choice, and how they cope with these unwanted situations.
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DidierKonings’simmeringmediaevalhorrorWitteWievenexplorestheconfluenceofreligionandpatriarchyinanexcessivelypuritanicalDutchvillage.Blamedbyhercommunityforbeingchildless,Friedaimmersesherselfinprayerandritual.Whenshereturnsunscathedfromtheforbiddenforestsurroundingthevillage,havingevadedalecherousbutcher,sheiscondemnedasanagentofthedevil.Frieda,however,findsnewfaithinthedarkpowersthatinhabitthewoods.Shotinareducedcolourpaletteattheedgeofvisibility,Konings’grippingfilmconstructsaconvincingpre-modernsocietywhosepracticesitelucidateswithpatienceandattention.AlthoughsetintheMiddleAges,WitteWievendisplaysanunmistakablycontemporaryspirit,craftingafeministparableaboutwomendiscoveringnewwaysofunderstandingtheirlivesandtheworld.
