Deja
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维奇（Harma Baweja饰）出身中上阶层社会，从小没有母亲，父亲没有时间与他相处。维奇冰冷孤独的世界让他变得脆弱而敏感。长期缺失爱和照顾，维奇不得不从别的地方寻找归宿。这个地方就离他的豪华公寓不远——黑帮聚集地。
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Ernesto lives life in a limbo of sorts, stuck somewhere between the promise of an exit visa and the fear of rotting away in Havana. But his smooth-talking schemes to secure papers are complicated when he crosses paths with Anita, and is faced with the only incentive to stay in Cuba—love. Screenwriter Alejandro Brugués makes his directorial debut with this poignant romance about the price of freedom, the power of sacrifice and the meaning of happiness.Alejandro Brugues was born in Buenos Aires, but he is a Cuban national. After studying Advertising, Psychology and Philosophy, he graduated with a Screenwriting major from the Escuela de San Antonio de los Banos. After taking his first steps as a screenwriter, he directed and wrote this first work, which received awards at the Cine en Construcción section of the Guadalajara Film Festival. Personal belongings is a love story that takes on the everyday reality of Cuba: Ernesto keeps his "personal belongings" in a briefcase, waiting for the moment when he will finally be able to leave the island; meanwhile Ana has decided to stay and not go with her parents, who fled on a raft. The two youngsters meet when he goes to the policlinic where she works, and although by falling in love they each find what they were looking for in each other, they also know they have decided on very different paths and at some point they’ll have to make a final choice.
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安德烈斯·拜斯
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ColombianmusiciconJuanesplaysMoisés,theeldestofthreebrothersplyingthisperiloustradeandthelinchpinoftheoperation,whileAlbertoGuerradeliversacompellingperformanceasUlises,amanparalyzedbyconflictingdecisionsandhauntedbyfearandgrief.WhenJuan(AlejandroSpeitzer)—theyoungestofthebrothers—iscoercedintoworkingforamorepowerful,rivalcriminalorganization,theshockingunderbellyofthebusinessislaidbareandtherearetragicconsequences.
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AftersettlingdowntogetherandonlybeingseparatedindeathduringtheAyutthayaera(1351-1767CE),DejandKaraketarerebornintheearlyRattanakosinperiod(1782-1855CE).Butthereisonlyoneofthemwhostillbelievesin‘destiny’.Bhop,achiefengineerwiththesweetestsmileinSiam,hasbeenseeingthesameladyinhisdreamsformanyyears.Hebelieveswholehear...
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ANetflixrevelouhojeaproduçãode“UmaGarotadeClasse”,seumaisnovolonga-metragemdetruecrime,baseadonopolêmicoeemblemáticocasoElizeMatsunaga—quejáfoitemadeumdocumentárionaplataformaem2021.Ofilmeseráumthrillercomtoquesmelodramáticos,mergulhandoemtemascomoclassesocial,ambiçãoeviolênciadeformaprovocativaeintensa.AdireçãoéassinadaporVellas,eoroteiroédeRaphaelMontes,conhecidoporseutrabalhoem“AMeninaqueMatouosPais”,outrosucessodogêneronoPrimeVideo.Quemassinaoroteiroemparceriacomeleé@marictorres.Aindasemelencoconfirmadonemdatadelançamentoprevista,aproduçãoprometeumaabordagemcinematográficaousadaeinstigantedeumdoscrimesmaisdiscutidosdaúltimadécadanoBrasil.
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让-保尔·萨罗米
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巴斯蒂安·布永
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康坦·多尔迈尔
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洛丽塔·夏马
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勒达·卡代布
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弗兰西斯·莱珀雷
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萨拉·吉罗多
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奥利维尔·卢斯托
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弗朗索瓦·佩彻
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塞德里克·韦伯
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卡米尔·雅毕
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皮埃尔·洛廷
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Victor·Poirier
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Arthur·Teboul
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Margaux·Rossi
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Christophe·Kourotchkine
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Frédéric·Buret
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皮埃尔·吉拉德
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Helena·Sadowy
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Julien·Massetti
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阿兰·布兹盖
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ThestorychartshowyoungPolishrefugeeJanBojarskibecamethebiggestcounterfeiterofalltime,“theCézanneoffakemoney”,inpost-warFrance;how,foroverfifteenyearsandunbeknownsttohisfamily,thismanledadoublelifemakingcounterfeitmoney-whichwas“morereal”thanthenotesprintedbytheBankofFrance-inashedatthebottomofhisgarden;andhow,inalltheseyears,thisunparalleledfakermanagedtoslipthroughthepolice’snettobecomethethorninCommissionerMattei’sside,overthecourseofahuntwhichfastturnedintoaduelforthesetwoobsessives…
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WithasuddenattackbytheJapanese,BritishMajor-GeneralMaltbyandhistopofficersstrugglewiththedecisiontoeitherfighttothedeathorofferahumiliatingsurrenderoftheBritishColonyofHongKong.
